Leather

This collection is Florence twice over, from two workshops a short walk apart.

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Cellerini has made leather goods from a first-floor atelier on Via del Sole since the late 1950s. The workshop has always worked to order - every bag, wallet and travel piece cut, stitched and assembled by hand to the customer's own choice of leather, colour and hardware. What's shown is a single configuration; almost everything here can be remade in a different skin.

Giulio Giannini e Figlio has bound books and marbled paper in Florence since 1856, run today by the same family six generations on. Their leather goods lean on the old bookbinder's construction - half-bound, leather at the spine and corners where an object takes its wear, the family's own hand-marbled paper across the rest, no two sheets the same. Notebooks, photo albums and wedding albums are hand-sewn inside, gathered and stitched the way books were made before glue.

Two very different leather traditions - one built around bespoke bags, the other around books - and the same conviction that a hand-cut edge outlasts a machine-stamped one.

Read our guide to spotting genuine Italian leather.

MAKER SPOTLIGHT

Fratelli Bonvini

Fratelli Bonvini has been a stationery shop and printworks on Via Tagliamento in Milan since 1909, kept just as it was by the typographers who took it over in 2014. Its archive of type, ornament and printing blocks now supplies notebooks, greeting cards and pencils, with covers by Milan illustrators and by Cabaret Typographie, the letterpress collective in residence at the shop. Exclusive to Australia.

Cabaret Typographie prints

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